Nobel laureate Czeslaw Milosz's most recent collection Second Space marks a new stage in one of the great poetic pilgrimages of our time. Few poets have inhabited the land of old age as long or energetically as Milosz, for whom this territory holds both openings and closings, affirmations as well as losses. "Not soon, as late as the approach of my ninetieth year, / I felt a door opening in me and I entered / the clarity of early morning," he writes in "Late Ripeness." Elsewhere he laments the loss of his voracious vision -- "My wondrously quick eyes, you saw many things, / Lands and cities, islands and oceans" -- only to discover a new light that defies the limits of physical sight: "Without eyes, my gaze is fixed on one bright point, / That grows large and takes me in."Second Space is typically capacious in the range of voices, forms, and subjects it embraces. It moves seamlessly from dramatic monologues to theological treatises, from philosophy and history to epigrams, elegies, and metaphysical meditations. It is unified by Milosz's ongoing quest to find the bond linking the things of this world with the order of a "second space," shaped not by necessity, but grace. Second Space invites us to accompany a self-proclaimed "apprentice" on this extraordinary quest. In "Treatise on Theology," Milosz calls himself "a one day's master." He is, of course, far more than this. Second Space reveals an artist peerless both in his capacity to confront the world's suffering and in his eagerness to embrace its joys: "Sun. And sky. And in the sky white clouds. / Only now everything cried to him: Eurydice! / How will I live without you, my consoling one! / But there was a fragrant scent of herbs, the low humming of bees, / And he fell asleep with his cheek on the sun-warmed earth."

Written in Paris in the early 1950s, this book created instant controversy in its analysis of modern society that had allowed itself to be hypnotized by socio-political doctrines, and to accept totalitarian terror on the strength of a hypothetical future.

For A Book of Luminous Things Nobel laureate poet Czeslaw Milosz has selected 300 of the world's greatest poems written throughout the ages, poems memorable for how they render the realities of the world palpable and immediate. They are organized under eleven headings - including "Epiphany, " "Nature, " "The Secret of a Thing, " "Travel, " "Places, " and "The Moment." In addition to his introduction, Milosz contributes brief, penetrating commentary on each poet. Among the poets included are Elizabeth Bishop William Blake, Joseph Brodsky, Constantinos Cavafy, Emily Dickinson, Robert Frost, Allen Ginsberg, Linda Gregg, Seamus Heaney, Zbigniew Herbert, Jane Hirshfield, Robinson Jeffers, D. H. Lawrence, Denise Levertov, Philip Levine, Li Po, Antonio Machado, Thomas Merton, W. S. Merwin, Sharon Olds, Mary Oliver, Po Chu-I, Rainer Maria Rilke, Theodore Roethke, Charles Simic, Gary Snyder, Wallace Stevens, May Swenson, Anna Swir, Wislawa Szymborska, Tu Fu, Wang Wei, Walt Whitman, and William Carlos Williams.

About "Exiles," Cornell Capa once wrote, "Koudelka's unsentimental, stark, brooding, intensely human imagery reflects his own spirit, the very essence of an exile who is at home wherever his wandering body finds haven in the night. " In this newly revised and expanded edition of the 1988 classic, which includes ten new images and a new commentary with Robert Delpire, Koudelka's work once more forms a powerful document of the spiritual and physical state of exile. The sense of private mystery that fills these photographs--mostly taken during Koudelka's many years of wandering through Europe and Great Britain since leaving his native Czechoslovakia in 1968--speaks of passion and reserve, of his rage to see. Solitary, moving, deeply felt and strangely disturbing, the images in "Exiles" suggest alienation, disconnection and love. "Exiles" evokes some of the most compelling and troubling themes of the twentieth century, while resonating with equal force in this current moment of profound migrations and transience.
Josef Koudelka (born 1938) has published ten books of photographs, many of which focus on the relationship between man and the landscape, including "Gypsies" (1975; revised and enlarged edition in 2011), "Exiles" (1988), "Black Triangle" (1994), "Invasion 68: Prague" (2008) and "Wall" (2013). Significant exhibitions of his work have been held at The Museum of Modern Art and the International Center of Photography, both in New York; Hayward Gallery, London; and Palais de Tokyo, Paris. Koudelka is the recipient of the Medal of Merit awarded by the Czech Republic (2002) and numerous other awards. In 2012, he was named Commandeur de l'Ordre des Arts et des Lettres by the French Ministry of Culture. He is based in Paris and Prague.

The long-awaited paperback edition of Selected Poems, revised and updated with more than forty new poems never before published in English

2011 marks the centenary year of one of the twentieth century's most important poets, Nobel laureate Czeslaw Milosz. To mark the occasion, Anthony Milosz has translated into English the last poems his father wrote, granting readers new insight into the work of an unparalleled master of the form.

Life opened for Czeslaw Milosz with the clash of civilizations in northeastern Europe. What unfolded around him was a century of catastrophe and madness: two world wars, revolutions, invasions, and the murders of tens of millions of people. In the thick of this upheaval, wide awake and in awe of living, Milosz tried to understand both history and the moment, with humble respect for the suffering of each individual. He wrote masterful poetry infused with a tireless spirit and a penetrating insight into fundamental human dilemmas and the staggering yet simple truth that "to exist on the earth is beyond any power to name."

New and Collected Poems: 1931–2001 celebrates seven decades of Czeslaw Milosz's exceptional career. Widely regarded as one of the greatest poets of our time, Milosz is a master of probing inquiry and graceful expression. His poetry is infused with a tireless spirit and penetrating insight into fundamental human dilemmas and the staggering yet simple truth that "to exist on the earth is beyond any power to name."

Czeslaw Milosz worked with the Polish Resistance movement in Warsaw during World War II and defected to France in 1951. His work brings to bear the political awareness of an exile -- most notably in A Treatise on Poetry, a forty-page exploration of the world wars that rocked the first half of the twentieth century. His later poems also reflect the sharp political focus through which this Nobel laureate never fails to bear witness to the events that stir the world.

Digging among the rubble of the past, Milosz forges a vision that encompasses pain as well as joy. His work, wrote Edward Hirsch in the New York Times Book Review, is "one of the monumental splendors of poetry in our age." With more than fifty new poems, this is an essential collection from one of the most important voices in contemporary poetry.

The best known prose work by the winner of the 1980 Nobel Prize for Literature examines the moral and intellectual conflicts faced by men and women living under totalitarianism of the left or right.

New and Collected Poems: 1931-2001 celebrates seven decades of Czeslaw Milosz's exceptional career. Widely regarded as one of the greatest poets of our time, Milosz is a master of probing inquiry and graceful expression. His poetry is infused with a tireless spirit and penetrating insight into fundamental human dilemmas and the staggering yet simple truth that "to exist on the earth is beyond any power to name."

After The Second World War, Czeslaw Milosz was exiled for many years from his home country of Poland. In Native Realm, he evokes that homeland and his years away from it; how it nurtured him and how its divisions and destruction shaped a generation. Exploring such diverse memories as a Soviet officer drinking tea with his little finger sticking out, or two Chinese girls passing, laughing, by a New York subway station, Milosz uses these to both 'bring Europe closer to the Europeans' and to capture the formative moments in his life, from his Catholic education to his time in Paris, all with his distinctive honesty, elegance and self-awareness. It is the winner of the Nobel Prize for Literature.

This is the most beautiful and powerful of Milosz's poems from across his writing life. This selection brings together the most beautiful and powerful of Czeslaw Milosz's poems, spanning his writing life. In verses such as 'Cafe' he considers the upheaval, revolutions and two world wars that he had witnessed, while 'My Faithful Mother Tongue' reflects the loyalty he felt to his native Polish language. He also remembers his schooldays in 'The World', and in 'Bypassing Rue Descartes' recalls the Paris streets of his student years, displaying both tenderness and tough-minded fury towards those who shaped his experiences. Writing not about abstract emotions, but about the horrors and beauty that he directly observed, Milosz opens our eyes to the joy-bringing potential of the poetry to which he gave his life. Winner of the Nobel Prize for Literature Czeslaw Milosz (1911-2004) won the Nobel Prize for Literature in 1980. Born in Lithuania while it was still part of the Russian Empire, he lived much of his life in Poland or exiled in California. He was the author of one of the definitive books on totalitarianism, The Captive Mind, but also wrote with extraordinary vividness and moral authority on his childhood, his experiences under Nazism and on the tragedy of Central Europe.

This book is a survey of Polish letters and culture from its beginnings to modern times. Czeslaw Milosz updated this edition in 1983 and added an epilogue to bring the discussion up to date.

With a critical afterword by Nobel Laureate Czeslaw Milosz and National Book Award nominee Leonard Nathan.

This expanded edition of "Postwar Polish Poetry" (which was originally published in 1965) presents 125 poems by 25 poets, including Czeslaw Milosz and other Polish poets living outside Poland. The stress of the anthology is on poetry written after 1956, the year when the lifting of censorship and the berakdown of doctrines provoked and explosion of new schools and talents. The victory of Solidarity in August 1980 once again opened new vistas for a short time; the coup of December closed that chapter. It is too early yet to predict the impact these events will have on the future of Polish poetry.

Polish Wilno--now Vilnius, in Lithuania--was the city of Czeslaw Milosz's youth and adolescence. In this collection of essays and reminiscences, written over a span of three decades, the Nobel Prize-winning poet traces an informal autobiography againstthe street map of an extraordinary city--a crossroads of languages, cultures, and beliefs--that lies at the very heart of his internal geography.
"Beginning with My Streets," available for the first time in paperback, gathers portraits of the writers Aleksander Wat, Dwight MacDonald, and Fyodor Dostoevsky, as well as the great Swedish scientist Emanuel Swedenborg; an exchange of letters from the 1950s with the novelist and diarist Witold Gombrowicz; and a selection of speeches delivered between 1967 and 1987, including Milosz's Nobel Lecture. These diffuse reckonings, distinguished throughout by the flavor of personality and the aura of place, have a cumulative power--they are quintessential Milosz.

"Legends of Modernity," now available in English for the first time, brings together some of Czeslaw Milosz's early essays and letters, composed in German-occupied Warsaw during the winter of 1942-43.
"Why did the European spirit succumb to such a devastating fiasco?" the young Milosz asks. Half a century later, when "Legends of Modernity" saw its first publication in Poland, Milosz said: "If everything inside you is agitation, hatred, and despair, write measured, perfectly calm sentences..." While the essays here reflect a "perfect calm," the accompanying contemporaneous exchange of letters between Milosz and Jerzy Andrzejewski express the raw emotions of "agitation, hatred and despair" experienced by these two close friends struggling to understand the proximate causes of this debacle of western civilization, and the relevance, if any, of the teachings of the Catholic church.
Passionate, poignant, and compelling, "Legends of Modernity" is a deeply moving insight into the mind and emotions of one of the greatest writers of our time.

The autobiography of the Nobel laureate

Before he emigrated to the United States, Czeslaw Milosz lived through many of the social upheavals that defined the first half of the twentieth century. Here, in this compelling account of his early life, the author sketches his moral and intellectual history from childhood to the early fifties, providing the reader with a glimpse into a way of life that was radically different from anything an American or even a Western European could know.

Using the events of his life as a starting point, Native Realm sets out to explore the consciousness of a writer and a man, examining the possibility of finding glimmers of meaning in the midst of chaos while remaining true to oneself.

In this beautifully written and elegantly translated work, Milosz is at his very best.

Memories, dreams and reflections from the Nobel Laureate

The ABC book is a polish genre-a loose form related to a hypertext novel-composed of short, alphabetically arranged entries. In Milosz's conception, the ABC book becomes a sort of autobiographical reference book, combining entries concerning characters from his earlier work with references to some of his memory poems. He also writes of real, historical figures like Camus who were particularly influential during his formative years, and of broader topics such as "The City," "Unhappiness," and "Money." Another fascinating entry in Milosz's bold opus, Milosz's ABCs is an engaging tribute to a brilliant mind.

Thomas, the child-protagonist of The Issa Valley, is subject to both the contradictions of nature in this severe northern setting and sometimes enchanting, sometimes brutal timbre of village life. There are the deep pine and spruce forests, the grouse and the deer, and the hunter's gun. There is Magdalena, the beautiful mistress of the village priest, whose suicide unleashes her ghost to haunt the parish. There are also the loving grandparents with whom Thomas lives, who provide a balance of the not-quite-Dostoevskian devils that visit the villagers. In the end, Thomas is severed from his childhood and the Issa River, and leaves prepared for adventures beyond his valley. Poetic and richly imagined, The Issa Valley is a masterful work of fiction from one of our greatest living poets.

This major prose work, originally published in English in 1985, is both a moving spiritual self-portrait and an unflinching inquiry into the genesis of our modern afflictions. A man who was raised a Catholic in rural Lithuania, lived through the Nazi occupation of Poland, and emerged, first in Europe and then in America, as one of our most important men of letters, speaks here of the inherited dilemmas of our civilization in a voice recognizable for its honesty and passion.

Czeslaw Milosz did not believe he would ever return to the river valley in which he grew up. But in the spring of 1989, exactly fifty years after he left, the new government of independent Lithuania welcomed him back to that magical region of his childhood. Many of the poems in Facing the River record his experiences there, where the river of the Issa Valley symbolizes the river of time as well as the river of mythology, over which one cannot step twice. This is the river Milosz faces while exploring ancient themes. He reflects upon the nature of imagination, human experience, good and evil--and celebrates the wonders of life on earth.

In these later poems, the poems of older age, this Nobel laureate takes a long look back at the catastrophic upheavals of the twentieth century; yet despite the soberness of his themes, he writes with the lightness of touch found only in the great masters.

Like "Native Realm," Czeslaw Milosz's autobiography written thirty years earlier, "A Year of the Hunter" is a "search for self-definition." A diary of one year in the Nobel laureate's life, 1987-88, it concerns itself as much with his experience of remembering as with the actual events that shape his days. Shuttling between observations of the present and reconstructions of the past, he attempts to answer the unstated question: Given his poet's personality and his historical circumstances, has he managed to live his life decently?
From Milosz's thoughts on the Catholic Church and his conversations with Pope John Paul II to his impatience with sixties American radicalism and his reflections on the avant-garde, "A Year of the Hunter" brims with caustic wit and shrewd observations about people, places, politics, and literature. Milosz also gives us a deeply personal portrait of life in pre-war Poland in which he charts his conflicting feelings about Poland and the Polish people.
Lively in tone, impressive in its intellectual breadth, "A Year of the Hunter" offers a splendid introduction to Milosz for new readers and, for those who know his essays and poetry, the pleasure of watching him master another genre.

Interrelated essays by the Nobel Laureate on his adopted home of California, which Lewis Hyde, writing in "The Nation," called "remarkable, morally serious and thought-provoking essays, which strive to lay aside the barren categories by which we have understood and judged our state . . . Their subject is the frailty of modern civilization."

Proud to be a Mammal (1942-97) is Czeslaw Milosz's moving and diverse collection of essays. Among them, he covers his passion for poetry, his love of the Polish language that was so nearly wiped out by the violence of the twentieth century, and his happy childhood. Milosz also includes a letter to his friend in which he voices his concern about the growing indifference to murder and the true value of freedom of thought, as well as a verbal map of Wilno, with each street revealing both a rich local history and intricate, poignant personal memories.

A delightful paperback edition of Milosz's poetry collection-a "valorous and beautiful work" --Richard Eder, Los Angeles Times

"I went on a journey in order to acquaint myself with my province, in a two-horse wagon with a lot of fodder and a tin bucket rattling in the back. The bucket was required for the horses to drink from. I traveled through a country of hills and pine groves that gave way to woodlands, where swirls of smoke hovered over the roofs of houses, as if they were on fire, for they were chimneyless cabins; I crossed districts of fields and lakes. It was so interesting to be moving, to give the horses their rein, and wait until, in the next valley, a village slowly appeared, or a park with the white spot of a manor in it. And always we were barked at by a dog, assiduous in its duty. That was the beginning of the century; this is its . I have been thinking not only of the people who lived there once but also of the generations of dogs accompanying them in their everyday bustle, and one night-I don't know where it came from-in a pre-dawn sleep, that funny and tender phrase composed itself: a road-side dog." --Road-Side Dog

A comprehensive selection of essays--some never before translated into English--by the Nobel Laureate.

To Begin Where I Am brings together a rich sampling of poet Czeslaw Milosz's prose writings. Spanning more than a half century, from an impassioned essay on human nature, wartime atrocities, and their challenge to ethical beliefs, written in 1942 in the form of a letter to his friend Jerzy Andrzejewski, to brief biographical sketches and poetic prose pieces from the late 1990s, this volume presents Milosz the prose writer in all his multiple, beguiling guises. The incisive, sardonic analyst of the seductive power of communism is also the author of tender, elegiac portraits of friends famous and obscure; the witty commentator on Polish complexes writes lyrically of the California landscape. Two great themes predominate in these essays, several of which have never appeared before in English: Milosz's personal struggle to sustain his religious faith, and his unswerving allegiance to a poetry that is "on the side of man."